
From the cover blurb:
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| Thomas
D Clareson calls this
"Silverberg's finest juvenile.," and I'd have to agree. Of the stories he's written for younger readers, this is the best. It's intended for teens, though it works well for adults as well. Barring a couple of minor items, the story could work well today. For once, the characters are not all
male; a number of females play prominent roles, plus a female-form android. The alien characters are alien
and treated in a fair amount of depth, even when they're being a bit goofy.
I've always had a liking for "searching for the ancient advanced race" stories, and this is a fine example of the form. My only complaint is that once the ending gets rolling, Silverberg wraps it up too quickly, presenting galaxy-shaking consequences in a few paragraphs. |
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The editors of a glitzy CD-ROM hosted by Leonard Nimoy chose this story as a prime example of Golden Age SF.
From the dust jacket:
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![]() Buy it at Powell's. |
| Silverberg's
newest published novel. It consists in part of three
stories published in Science Fiction Age
recently ("Beauty in the Night", "On the Inside", and "The Colonel in Autumn") and slight reworkings of "The Pardoner's Tale" and "Against Babylon", and is a variety of
aliens-take-over-the-earth story, a plot Silverberg
hasn't done in quite a while. Some of Silverberg's comments about the book: "Aliens arrive one day, setting fire to Los Angeles in the process, and conquer the hell out of us with the greatest of ease. We spend the next hundred fifty years trying to figure out how to cope with the defeat and go on from there. My response to Wells' War of the Worlds... The invaders shut down electricity -- nothing works, computers, electric can openers, auto ignition -- and we are conquered in a single day... The Alien Years contains three of my old stories embedded in it, joined by common theme of alien invasion." [I suppose he's referring to the stories not written as part of the book originally, considering I know of five stories worked into the book. -- Jon] One thing that's a little unusual for Silverberg is that one of the main characters is Colonel Anson Carmichael III, a retired Army man and Vietnam veteran. Silverberg has very seldom dealt with military characters, especially those in the present or near future. (The first section of the book is labeled "Seven Years from Now", a somewhat dangerous tactic for a writer.) The Colonel is a conservative stuffed-shirt type, but (as always) dealt with sympathetically. The choice of Anson for the Colonel's name can hardly be accident--I'm sure Silverberg intended a tribute to the late Robert A(nson) Heinlein, for the Colonel is very like any number of Heinlein patriarchs (and probably Heinlein himself). It is also notable that although the aliens land in many locations, Silverberg concentrates almost entirely on the LA area, telling the multi-generational story of the Carmichaels. The cover art on both the American and UK editions is misleading: at no point do massive spacecraft hover over cities and fire energy beams downward. The ships are described as being "the size of a ten-story building"--big, but hardly Independence Day motherships. For a more detailed analysis click here, but be advised: spoilers abound. Go here for Claude Lalumière's review. |
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From the cover blurb:
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| Well, you
only have to look at the cover art to see that the cover
blurb is misleading: Koshmar and his people are not
human, at least not Homo sapiens. A far-future
story, this one on Earth. Hundreds of thousands of years
in the future, the earth is coming out of a long Ice Age.
The planet has been populated by numerous intelligent
species from insects to plants to humanoids, but actual
humans are nowhere to be seen, departed for the stars
long ago. The story continues (sort of) in The
New Springtime. Quite an enjoyable book, and my sister's all-time favorite Silverberg novel. |
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Last updated October 21, 2002
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