M - Novels


Majipoor Chronicles (1981)

  • HB: Arbor House, 1981
  • PB: Bantam, 1983, 281 pages, ISBN 0-553-22928-1

From the cover blurb:

Come to Majipoor, the magnificent, exotic planet of Lord Valentine's Castle. Come to Hissune, favorite of Lord Valentine, as he probes the deepest secrets of Majipoor's long past in the depths of the great Labyrinth. Join him as he becomes one with its many peoples-- dukes and generals, thieves and murderers, Ghayrogs and Metamorphs-- and discovers wonder, terror, longing and love, and learns wisdom that will shape his destiny.

Cover art by Jim Burns
The second book in the series begun with Lord Valentine's Castle. This is a collection of stories set on Majipoor connected by short interludes with Hissune. As the copyright page says: "Portions of this book have appeared in somewhat different form in Omni, Fantasy & Science Fiction, and Isaac Asimov's Science Fiction Magazine." It adds some interesting details to the history and geography of the big planet, but does not really further the story of Valentine.

See the individual entries for plot descriptions.

Contains:

The Man in the Maze (1969)

Cover art 1969 by Don Punchatz
  • PB: Avon, 1969, 192 pages
  • PB: Avon, 1978, 192 pages, ISBN 0-380-38539-2
  • PB: Avon, 1981?, 192 pages, ISBN 0-380-00198-5

From the cover blurb:

Muller had been sent to spy on the first alien race mankind had ever encountered. Discovered, he had been cursed by them with a terrible power that made his presence unbearable to his fellow human beings. Embittered, he'd chosen to live out his life in an abandoned city of murderous mazes on a long-dead planet. But now men must enter Muller's deadly labyrinth and lure him out: for his dreadful power has made him the only man capable of communicating with still another terrifying race of alien beings.

Cover art 1981 uncredited (Jim Burns?)
Cover art from Avon 1978 by Walofsky I hope I'm not giving anything away by saying that the "power" Muller has is that all the ugly, unpleasant qualities of his soul (which we all have inside us, mixed with the good) are continually broadcast like a psychic body odor, so that anyone approaching him feels overwhelming depression, anger, and grief. The cover blurb is misleading in that Muller was not really a spying on the Hydrans, he was just the first human sent to their world to make contact. As Muller was never able to communicate with them, it's inaccurate to say he was "discovered" and punished for his actions. They did to him what they did for their own private reasons, and he went on his way. The story provides numerous opportunities for ruminations on the worth of the human race and the eternal question of when ends justify means. All in all, a pretty good read, worth checking out. On the technological front, there is faster than light travel of the "warp" variety, some gravity control, and average human life expectancy between 150 and 200 years.

Detailed commentary.


The Mask of Akhenaten (1965)

A juvenile novel concerning the discovery of the lost tomb of Pharaoh Akhenaten. It is not science fiction. Silverberg also wrote a non-fiction book about this Egyptian ruler: The Rebel Pharaoh.


The Masks of Time (aka Vornan-19) (1968)

  • PB: Ballantine, 1968, 252 pages
  • PB: Tandem (UK), 1972, 252 pages, ISBN 4260-6445-3 (as Vornan-19)
  • PB: Ballantine, 1973, 252 pages, ISBN 345-23446-4
  • PB: Bantam, 1983, 226 pages, ISBN 0-553-23494-3

From the 1968 cover blurb:

The year is 1999. The century is about to turn. The civilized world is prosperous but tense with fear about the still existing possibility of a major war. While in the large area that used to be called "underdeveloped" there is a hysterical conviction that the world will come to an end with the arrival of the new century.

Into this situation floats a creature calling himself Vornan-19 -- and claiming to be a visitor from 1000 years in the future... The world is ready, indeed ripe, for a sign, an omen, a new cult.

But no one realizes exactly what Vornan-19 is in his own right.

Cover art from Ballantime PB uncredited
Cover art 1973 by Phil Kirkland
Nominated for Nebula Award for best novel, 1968. Perhaps not Silverberg's best, but a very good work nonetheless, and one that deserves to be in print. There is naturally a dated quality to the story, as there is bound to be with any book written in the 60s about the 90s. I find little difficulty setting that aside, and I think many other readers would be just as understanding. Vornan is a fascinating enigma, simultaneously wise and ignorant, promiscuous and innocent, powerful and overwhelmed. The cover blurb is inaccurate in the bit about "underdeveloped" countries--that hysterical belief in imminent doom is widespread in Europe and the United States as well as Africa and South America. The Apocalyptists, as they are called, are everywhere, staging massive public saturnine orgies of excess (is that redundant or what?). Their credo is, "The world ends tomorrow, enjoy what you can today." Vornan is living proof (if he's really from 2999AD) that the world will not end with the new millennium. The 20th Century people who get caught up in the mystery man's whirlwind global tour find their lives changed in many ways, some obvious, some subtle. This book really shows the depth of characterization Silverberg is capable of . Recommended if you can find it. Cover art Tandem 1972 uncredited
Cover art 1983 by Jim Burns

Master of Life and Death (1957)

Cover art 1968 by Hector Garrido

From the cover blurb:

Hour by hour, the computers produced the names of those to die. Simple. Neat. Ruthless.

In a world where human feelings seemed frozen, one spirit flared with defiance and hope...while two powerful brothers fought their old blood feud to a brutal climax.

And hurtling through space...a lost explorer desperately tries to reach earth with word of a new paradise for man beyond the stars.

Cover art 1986 by Tom Kidd It is 2232 AD, and the human population of Earth has been unable to curb its constant growth. Living space is at a premium, and a massive effort by DF FitzMaugham has led to the creation of the United Nations Bureau of Population Equalization. "Popeek" (as it is called) has three main duties: redistribution of people from overcrowded areas to sparsely populated ones, euthanasia of undesirable people, and research into alternative means of alleviating population pressure, including terraforming Venus and the development of faster-than-light travel to search for habitable planets. The "undesirables" who are euthanized include babies with birth defects and the criminally insane. Although a great many people find Popeek deplorable, there are also a large number who feel that Popeek does not go far enough given the severity of the problem. When FitzMaugham is assassinated, his assistant Roy Walton takes over the reigns of the massive enterprise only to find that things are not what they seem: the FTL project has been successful and the first ship is already out looking for a suitable planet; the Venus team is long past their contact date and presumed missing; and there are several other secret projects going on. But Walton has other problems, most notably his brother Fred. The two have never been close, and now their animosity endangers the entire planet.

An enjoyable read, well-plotted and full of surprises, though (like most science fiction from the 50s) it's quite short, with little fleshing out of characters or situations. In some ways, I feel the need for a sequel. Walton, the "hero" of the book, is quite ruthless, very much believing that anything he does is justified for the good of humanity, and I would prefer to see him brought down by his own abuse of his power.

Cover from Ace 1979

The Mountains of Majipoor (1995)

  • HB: Bantam Spectra, 1995, 225 pages
  • PB: Bantam Spectra, 1996, 225 pages, ISBN 0-553-57327-6

From the cover blurb:

For young Prince Harpirias, the journey into the frozen tundra beyond Majipoor might well be a death sentence. But it's also the only way out of a petty bureaucrat's job in a provincial city. His mission is to rescue a lost party of paleontologists searching for the fossils of a fabled species of land-dwelling dragons. Setting out with a small band of soldiers and a wily Shapeshifter, who acts as both guide and interpreter, Harpirias will endure blinding blizzards, slashing ice storms, physical privation, and the attack of strange beasts. But the worst is yet to come. For when they finally reach their destination, they come face-to-face with a shockingly barbaric culture ruled by a dangerous chieftain. One mistake, one minor violation of a custom or a taboo, and the prince and his companions will face instant death--or endless captivity.

Cover art by Jim Burns
The fourth book in the Majipoor series. It's set 500 years after the time of Valentine. A young man of noble blood is sent on a difficult mission to the far north reaches of Majipoor to negotiate with a previously unknown primitive tribe. It's full of the Big Planet wonder of this great setting: strange peoples, cultures, and beasts, all colorfully and lovingly portrayed. Quite enjoyable, though it seems too short, lacking the epic scope of the Valentine books. That's not really a criticism, more an observation. No disappointments here.

The Mutant Season (1989) (with Karen Haber)

Cover art by Jim Burns
  • HB: Doubleday, 1989, 289 pages
  • PB: Bantam Spectra, 1990, 289 pages, ISBN 0-553-28629-3

From the dust jacket (Doubleday):

Winter is the mutant season.

When winter comes the mutants gather.

They have always lived in the shadows, invisible.

Now they will be tested. The first mutant leader to emerge into the light of public life has been murdered. Finding her assassin has fallen to the clan, a clan already beset by the pressures of the normal world.

Michael, torn between his mutant clan and a normal lover.

Melanie, alone among the mutants and rejected by the normals.

Jena, willing to use her mutant powers and her sexual wiles to get what she wants--Michael.

As society faces the implications of human evolution first-hand, and political maneuvering threatens to tear the clan apart, the mutants must find a way to protect their identity, their lovers, their very lives.

This book finds Silverberg collaborating with his wife, Karen Haber, in a longer work based on the short story of the same name. According to the Introduction, this book was written at the instigation of Byron Preiss, who saw in the story the seeds of an interesting future history. After rereading the original story, Silverberg and Haber worked out the characters and situations (with "considerable modifications" he says). Then she wrote the first draft, he went through it, she produced a second draft, and so on until it reached its final form. There are three more novels in the series (The Mutant Prime by Karen Haber, is the next one, and is set 15 years after this book).

The story is actually much more complicated than the blurb would indicate, and Michael, Melanie, and Jena are only three of many characters. There's also Eleanor Jacobson, the mutant Senator from Oregon, who plays a prominent role until her assassination; Andie Greenberg, Eleanor's non-mutant aide, who feels strongly that mutants should be treated equally; Kelly McLeod, Michael's non-mutant girlfriend; Stephen Jeffers, the mutant replacement for Jacobson in the Senate; and associated family and co-workers for all of these, as befits the lengthy multigenerational saga which begins here.

A word about the mutants in the scenario. These are not X-Men type mutants. Here's the general idea: Starting around 600 years ago, people began being born all around the earth with abilities beyond those of normal humans: clairaudience, telekinesis, and so on. The only outward sign of their mutation was a golden color to the irises of their eyes. For centuries they kept away from public attention, fearing the persecution that too often accompanied discovery. They banded together into Clans, formed communities of their own, developed their own society outside the mainstream of human life, and married only other mutants, partly because no one else wanted them, partly in hope of perpetuating the gifts they had into future generations. The vast majority of mutants have one power or another; a small number have two powers. As expected, when the mutants went public in the 1990s, not all normals were thrilled by the prospect of mutants among them. At the time this story takes place in 2017, there's still a lot of discrimination (technically illegal, but widespread nonetheless), and even the most open-minded normal probably wouldn't want his daughter to marry a mutant. There is talk of the development (either naturally or by genetic manipulation) of a super-mutant, which would have powers much greater than garden-variety mutants.


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Last updated October 21, 2002

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