U - Novels


The Ugly Little Boy (1992) (with Isaac Asimov)

Cover art by Paul Youll
  • HB: Doubleday, 1992
  • PB: Bantam, 1993, 387 pages, ISBN 0-553-56122-7

From the cover blurb:

To the astounded world of contemporary Earth, he is a beast, a Neanderthal ape-boy torn from the primordial past. But to his nurse and protector, he is something much more than a time-travel experiment. Edith Fellowes took the job with Stasis Technologies with the understanding that the nursing job would definitely be temporary...but all that changed upon meeting "Timmie," the lonely boy whose every friend and relative--even his whole race--was 40,000 years dead.

Then Edith Fellowes discovers the scientists' true intentions, and she forms a bizarre and daring plan. At stake is Timmie's very existence...and her own.

Another collaboration with Isaac Asimov, this one based on Asimov's 1958 short story of the same name. Like Nightfall, this story has vestiges of 1950s culture and attitudes. For one thing, it's hard to imagine a nurse of the 21st Century, especially one who specializes in pediatric care, being as stuffy and uptight as Miss Fellowes (which is what she likes to be called, and even how she thinks of herself) after the increase in casualness we've seen in the last thirty years. If you take the time-travel technology as given, there are still a few things about the situation that ring false for me. First of all, although the scientists knew very well that they were scooping a Neanderthal child from the past, Miss Fellowes was not told the child was not a modern human, not given the chance to study what is known of Neanderthal physiology and culture, and given only modern-style toys, clothes, and foods for him. Second, while the frustration of anthropologists studying Neanderthal culture but only having a child to examine and question was mentioned, little serious effort was made to learn his language. Having studied anthropology and linguistics, I felt that this aspect of the situation was sadly neglected. But all in all, it's an enjoyable read, with a good amount of emotional depth. The portions of the story that take place in the distant past are the best part, fascinating and quite reasonable.

Up the Line (1969)

  • PB: Ballantine, 1969, 250 pages
  • PB: Ballantine, 1973, 250 pages
  • PB: Del Rey, 1981, 250 pages ISBN 0-345-29696-6

From the 1969 cover blurb:

Judson Daniel Elliott III thought of himself as being a pretty square type. But he was simultaneously attacked by restlessness, weltschmerz, tax liens and unfocused ambition. This left him with several horrible alternatives.

In the circumstances, he was glad to accept the advice of Sam, his friendly black guru, who introduced Jud to the Time Service, Sam himself being a part-time Time Serviceman.

And a roistering, bawdy lot they turned out to be. Judson was alarmed and delighted. In fact, he was astounded at the ease with which he took to the swinging life of a Time Courier--and before he knew it, he had, of course, landed himself in a marvelous temporal paradox whose name was Pulcheria...

Cover art 1969 uncredited
Cover art 1973 by Phil Kirkland
Nominated for Nebula Award for best novel, 1969. I'm not sure if it's really the best thing Silverberg had to offer that year, but it's a fun read, probably his funniest book. It has a serious side, too, and it's not just silliness. Jud Elliot is a prototype for Yakoub in Star of Gypsies-- a thoughtful rogue, who philosophizes as he sex-and-drugs his way through history.

Of course the idea of time travel as tourist trade is completely ridiculous, but Silverberg makes it work. He uses some of the tropes of science fiction which have been established over the decades (starting with HG Wells), and throws in tons of amusing pseudo-tech talk to make it seem plausible. One thing to remember: time is like a river flowing downhill--the past is upstream (up the line), and the future is downstream (down the line).

The world of 2059, where Judson lives down the line, is a very liberal place. Drugs are used casually and frequently; people have sex whenever they feel like it and can find a willing partner; public nudity is commonplace. In addition, gene-splicing and cosmetic surgery make for a generally healthy and attractive population. Some of the more restrictive eras up the line take a little adjustment for civilized visitors. Remember to cover those nipples! Stay away from the weed! It's technically illegal to engage in intimate relations with natives up the line, but it seems to be one of the main attractions for time travelers. Everybody wants to have sex with exotic people of past times. Fortunately, time travelers have their shots to prevent disease and conception, so no anomalies will pop up. In theory.

As Jud bumbles through Byzantine history, just about every conceivable time paradox comes up. He meets himself on a previous jaunt; he watches a tourist get killed and pops back to prevent it; he accidentally creates a duplicate of himself. And throughout it all, he maintains his obsession for dark-skinned women with high breasts.

What can I say? This book is a real kick to read, and should remain in print forever. It's one of the best time travel novels there is. (And Silverberg manages to use the phrase "needle in a timestack" in it.)

Cover art 1981 by Murray Tinkelman

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Last updated October 21, 2002

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