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From the cover blurb:
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| Another collaboration with Isaac Asimov, this one based on Asimov's 1958 short story of the same name. Like Nightfall, this story has vestiges of 1950s culture and attitudes. For one thing, it's hard to imagine a nurse of the 21st Century, especially one who specializes in pediatric care, being as stuffy and uptight as Miss Fellowes (which is what she likes to be called, and even how she thinks of herself) after the increase in casualness we've seen in the last thirty years. If you take the time-travel technology as given, there are still a few things about the situation that ring false for me. First of all, although the scientists knew very well that they were scooping a Neanderthal child from the past, Miss Fellowes was not told the child was not a modern human, not given the chance to study what is known of Neanderthal physiology and culture, and given only modern-style toys, clothes, and foods for him. Second, while the frustration of anthropologists studying Neanderthal culture but only having a child to examine and question was mentioned, little serious effort was made to learn his language. Having studied anthropology and linguistics, I felt that this aspect of the situation was sadly neglected. But all in all, it's an enjoyable read, with a good amount of emotional depth. The portions of the story that take place in the distant past are the best part, fascinating and quite reasonable. | |
From the 1969 cover blurb:
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| Nominated for Nebula
Award for best novel, 1969.
I'm not sure if it's really the best thing Silverberg had
to offer that year, but it's a fun read, probably his
funniest book. It has a serious side, too, and it's not
just silliness. Jud Elliot is a prototype for Yakoub in Star
of Gypsies-- a
thoughtful rogue, who philosophizes as he sex-and-drugs
his way through history. Of course the idea of time travel as tourist trade is completely ridiculous, but Silverberg makes it work. He uses some of the tropes of science fiction which have been established over the decades (starting with HG Wells), and throws in tons of amusing pseudo-tech talk to make it seem plausible. One thing to remember: time is like a river flowing downhill--the past is upstream (up the line), and the future is downstream (down the line). The world of 2059, where Judson lives down the line, is a very liberal place. Drugs are used casually and frequently; people have sex whenever they feel like it and can find a willing partner; public nudity is commonplace. In addition, gene-splicing and cosmetic surgery make for a generally healthy and attractive population. Some of the more restrictive eras up the line take a little adjustment for civilized visitors. Remember to cover those nipples! Stay away from the weed! It's technically illegal to engage in intimate relations with natives up the line, but it seems to be one of the main attractions for time travelers. Everybody wants to have sex with exotic people of past times. Fortunately, time travelers have their shots to prevent disease and conception, so no anomalies will pop up. In theory. As Jud bumbles through Byzantine history, just about every conceivable time paradox comes up. He meets himself on a previous jaunt; he watches a tourist get killed and pops back to prevent it; he accidentally creates a duplicate of himself. And throughout it all, he maintains his obsession for dark-skinned women with high breasts. What can I say? This book is a real kick to read, and should remain in print forever. It's one of the best time travel novels there is. (And Silverberg manages to use the phrase "needle in a timestack" in it.) |
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Last updated October 21, 2002
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